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This ceramic knife is based on a bronze age design found in Suffolk, England. It is glazed with a gold luster. The process of making these knifes is tricky to say the least, but they are very satisfying when they work well. I like the feel of using them for ceremony, like a metal knife they are drawn from the earth, fashioned with air, spirit and water and finally transformed by fire. I have taken designs from across europe and adapted the slightly for the medium.

For those of us who wish to discribe our circle, but still allow the faye to pass on invitation, ceramic knifes are most useful. This style is approximatly 12" or 30cm long.

The original inspiration for this knife was a bronze age knife found in Yugoslavia. It is glazed with a pewter glaze which is the closest I can get to iron as the gold glaze is the closest to bronze on the knife above. Though the knives use similar styles, I like to inscribe different patterns and often the pommel shape changes depending on how the pieces of the handles and the tang go together.

This knife is slightly longer than the one above approx 14" or 35cm

Open bellied goddess figures can be used to hold night light candles, water, crystals, seeds, anything small that can fit into the belly. The sizes of these can vary from 5"/13cm upto 7"-8"/18-20cm I glazed these ladies in many earthy colours.
These are some of my earliest goddess figures and again I like to use earthy colours, however the goddess on the right was glazed with red. She felt like a dancing flame and I have not been able to part with her.

I do not feel that this picture really does this goddess justice, I must get better at photography. She was made from white clay which gives good light underneath the glaze. A blue grey glaze giving a kind of moonlit effect, on red clay it is much darker almost black.

she is approx 7"/18cm

For every goddess there must be a god, these are some of the earliest ones. These guys are masculine with all a god needs, however the later gods are, shall we say, a little more upstanding!

The gods have been made in many sizes from 2"/5cm upto 8"/20cm and I would like to make larger.

This guy just came out of the blue one day as I was playing with the clay and took over a whole day!
Silly faces that can hold night lights or incense charcoals, a bit of a laugh.
Boggarts! incense stick holders or just little familiars.
I quite like the contrast between high glaze and raw clay with organic shapes. These little dishes have a gold glaze on the inside and none on the outside. Again they can be used for burning incense, though it helps to put a little sand in the base to stop the debris sticking to the glaze. The glazes are not harmed by heat so can be used for many purposes.
Eva was the name of the model that I worked this sculpture with. The poor girl had to find the same position for about 5 weeks at the class and stay in it for an hour at a time. It may look easy but she was on a hard base with wobbly pillows that keep slipping off.